1950s | Blouses | Pattern Drafting | Skirts | Vintage Sewing

My new spring outfit

By on May 7, 2018

Hello everyone,

since it is so quiet here, I decided to write a short post about my new favourite outfit for spring. The whole look started with the idea of an green outfit inspired by Karlotta Pink’s latest fabric collection. The colour of the print is quite difficult to describe, but it was very important for me that the colour of the skirt would make the colour of the blouse shine.

The pattern of the blouse is self-constructed, because I had fallen in love with a no longer available Simplicity Schnitt 1624. A very similar pattern was reissued by Simplicity, but due to my last experience I became a bit cautious with regard to fit. It should be a figure-hugging blouse and not a nightgown.

The Blouse

For this reason I set about reconstructing the pattern myself. That sounds a lot more awesome than it was. Since I prefer to adapt existing models out of pure laziness rather than develop a pattern myself, I am not particularly experienced at it. The drafting was quite easy and there were only little to adjust – for more information on drafting the blouse check out my blogpost here.

The Fabric Desaster

I wanted to use a lime green satin for the skirt, because it is always available at my regular fabric shop. They didn’t have the fabric at the time, but it was supposed to arrive soon. No luck. (They still don’t have it.) Then I went on a fabric shopping trip to Zurich and I was sure I’d find something. But: Nothing.

A little annoyed and under time pressure, due to to a sewing blogger meeting, I ordered 5 different green fabrics. I didn’t want “okay”, I wanted perfect (at that time I was really obsessed with the right material for the skirt). And in the package were even three possible fabrics. I then decided for the most harmonious combination with the kiwi green cotton-linen blend.

Grünes Set 5

 

In the end everything did go as planned. The blouse was a fast sew and the skirt did go together easy too.

If you wish to see more pictures and read the whole background story (there were more drama than mentioned in the text), you can hop over to our blog PeterSilie&Co or directly to the longer blogpost.

Till next time,

Sabine

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1960s

There’s no place like home

By on April 1, 2018

Dear WeSewRetro Readers,

today I want to show you my newly made housecoat. It’s a type of garment that fell out of favour in modern world, which I think is a real pity. I feel that we should dress up especially at home, because it’s the place we share with the loved ones, which are far more important than random people on the street.

 

The fabric chosen for this project had to be both warm, comfortable and feminine; fortunately, I have found some soft, boiled grey wool fused with black lace. I thought it would be a good idea to highlight the cuffs and skirt opening by cutting them on the fabric border, as there isn’t any lace. All of the seam allowances were overcasted by hand and then stitched down to the main pieces; I also strengthened the armscye, the waist, the hem and the collar seam allowances with cotton bias binding. The housecoat was to close by a tie-belt, but to make it more secure and put together I added 3 black snaps.

 

For more photos and details, I invite you to my blog, rvdzik.blogspot.com 🙂

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1930s | Coats | Vintage Sewing

By on December 19, 2017

1930s winter coat

One thing I’ve wanted to make for a couple of years now is a 1930s warm winter coat. In the past I never quite had the right coat to go with my 1930s clothing and this year I was on a mission to resolve that problem. After purchasing a beautiful original 1930s halo hat in dark teal felt wool, I knew this was the colour my coat had to be. It was neutral enough to go with most things, but wasn’t the same old black, grey or navy that most coats seem to be in.

1930s coat top stitching detail

I set on a mission to find the perfect matching shade of dark teal in a heavy wool fabric and after several months I finally stumbled across a gorgeous one from Dragonfly Fabrics. It has an amazing diagonal textured design to it, which creates a lovely interest to the fabric.

The pattern I used was a self-draft pattern from an original 1930s tailoring booklet, which allowed me to create one exactly to my size in an authentic 1930s design. I did make an adjustment to the front curved seam though, as the original line didn’t really suit me across the chest. This was simple enough to do and I actually think the final seam looks much better.

I also decided to make the top line of the cuff curve with the front seam of the coat to make it look like the line was carrying on. Thankfully this worked spot on when I sewed it all up, something I wasn’t entirely convinced would happen!

1930s coat - back

You can read so much more about this coat and how I made it by heading to my blog. You’ll also find loads of photos, including ones of the incredible Autumn inspired lining and all of the matching garments that create the entire ensemble.

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1930s | Blouses | Coats | Skirts | Vintage Sewing

December Red – a 1930’s Red Wool Ensemble

By on December 17, 2017

This outfit all began the fabric. The print (Asian Art Deco?) from this quilting cotton was irresistible and there was just enough of it (left to purchase) to scrape out a blouse. It seemed so suited for something 1930’s, but is a quilting cotton, so not terribly drapey. I already had a very long length of wool crepe that coordinated, so I knew I could make something to go with the finished piece.

I went in  search for the perfect 1930’s blouse pattern, to start, which proved to be a little easier said than done, as I had trouble finding a blouse pattern that suited the fabric. I did settle on a gorgeous 1930’s dress pattern with a fabulous neck bow, that could be converted into a blouse and skirt. Next up, I searched for a coat pattern and ended up finding all my patterns in the same place. Yay!

The Dress Pattern (above) that I chose to adapt to a blouse and skirt, appealed to me, at first, because of the bow, but also because of the angled shaping of the front opening and V-shape at the center front on the skirt. Because of the minimal length of fabric, I knew the fuller sleeve was not an option.  The short puff sleeve seemed more flattering as well, so I did end up using it in the end.

The Coat pattern was an easy choice.  I love that it had some flair to both the sleeves and the bottom edge.  It seemed a very easy and less formal design that would pair nicely with the finished skirt and blouse.

Each piece turned out very well and I’m excited to wear them all to a Caroling party next weekend.  The Red is VERY festive, don’t you think?

If you would like to see more of how I adapted the dress pattern into a skirt and blouse, some great sewing techniques for the coat and all my resources for the entire ensemble, please visit my blog.

Until next time, Happy Sewing!

xo

Jennifer

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1950s

Double trouble

By on October 12, 2017

Dear WeSewRetro Readers,

meeting the Tailleur Bar in my ensamble

I had been searching for a vintage Simplicity 4538 pattern for some time, never having any luck with buying it. When I discovered that Simplicity has just reissued this design as a repro 8452, it landed straight into my shopping basket. The blouse is in fact a two-seam rectangle, but what a glorious rectangle it is. It is quick to make (it took me one afternoon form cutting to giving the final touches), drapes beautifully and has two glorious 1950s characteristics: it gives a wide yet soft-shouldered look and accentuates the waist like a solid cincher.

The black skirt is the bottom part of a vintage Butterick 6976 form 1954. Side note: it was one of the very first vintage patterns I have ever bought… The skirt has 6 panels and features 4 box-pleats, which amounts to a great fullness at the hem and creates very graceful movements.

To see and read more, I invite you to my blog, rvdzik.blogspot.com 🙂 Thank you for visiting!

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1920s | Accessories | Capes | Downton Abbey Inspired | Vintage Sewing

Make a 1920’s Inspired Shrug for added Glamour

By on June 29, 2017

 

My friend Jonathan invited me to his 30th birthday party.  He wanted to leave his OWN roaring 20’s in style and asked everyone to come dressed up for the occasion.  What a great opportunity to play dress up and put on a made-by-me gown from my favorite era!

Original dress and wrap

Yay!  I had everything – Dress, shoes, stockings, gloves, hand bag and wrap.  But the truth is, I didn’t really want to wear a wrap.  I wanted something a little more glamorous. So why not turn my metallic gold organza wrap into something more special?  I could throw it together in a couple of days, right?  So I did.  It’s not 100% accurate to the era and time, but I think it evokes the glamour of the era (and my inspiration photo – see below) and went perfectly with my dress already (see this post for more info about the dress)

The Finished Look!
My Vintage Inspiration

Here is the finished look.  I am happy with the way it turned out.  It was created from a metallic organza wrap that I owned already, and a vintage white fox collar that was purchased online. The stitching was done entirely by hand and the collar is removable.

If you are interested in how I created the Shrug, visit my blog post about making it.

You can also visit me on Facebook, Instagram or Sign up for my Blog posts in your email.

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1920s | 1930s | Blouses | Downton Abbey Inspired | Pattern Drafting | Vintage Sewing

A 1920’s Blouse Done 3 ways with One Vintage Dress Pattern

By on June 25, 2017

Three Blouses from One 1920's Dress Pattern

As part of my quest to build a “Miss Fisher” wardrobe, I’ve sewed up three little blouses inspired by separates her character wears in different episodes.  This post will show you the 3 blouses I have made, starting with one pattern.  The base pattern is the Vintage Pattern Lending Library 1920s Ladies Frock with Pleated Skirt Inset – Reproduction Sewing Pattern #Z2773.

Here is my Finished Blouse 1. I love it and wear it all the time!

 

For the first blouse the fabric was made from a printed stretch silk charmeuse and coordinating white silk habotai collar and tie ends.  I kept the tie exactly as on the pattern, making the ends contrast and the tie the same fabric as the blouse.

For blouse #2,  there were a few revisions to the pattern/construction – namely adding a loop under the collar to hold the neck tie, omitting the bottom band (with added length) and omitting the contrast tie bottom on the neck tie (adding length here again).

Close up view of front neck
Front view of finished blouse

Blouse #3 has to be my favorite so far.  It’s a departure from the other two but was easy to create using the same pattern. I sketched it after watching Series 2 episode 3 (Dead Man’s Chest) and decided to modify this pattern to get the look.  This version was made in a printed paisley cotton lawn and the flat piping was made from white seersucker scraps that I had floating around as well as white covered buttons (joining sleeve ends) that were also floating around in my stash. On a related side note, there was some great conversation about Miss Fisher’s blouses in The Miss Fisher Philes podcast , when they discuss this episode (Series 2 episode 3 (Dead Man’s Chest)), making reference to Miss Fisher wearing more separates than dresses.

If you would like to read more about how exactly I revised the pattern to create each of these looks, visit my blog post here.

See more of my projects and vintage inspiration on my blog or connect with me on instagram!

Thanks and Happy Sewing!

Jennifer Serr

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