red

Glitz, glamour and silly headpieces, that’s what! My home town Stockholm, Sweden, is blessed with a great burlesque club, Fräulein Frauke Presents, housed in one of the city’s classic dance palaces with quite the bad reputation back in the 40′s, 50′s and 60′s. Their annual New Year’s masquerade is the perfect  opportunity to break your sequin seaweed and your frivolous mask-making abilities.

New Year's Eve, photo by John Paul Bichard.

I bought this red sequin seaweed for last year’s celebrations, actually, but it got delayed at my local post office and I’ve been sitting on it since. The plans for the dress have changed during the year, for the better I think, and instead of a complicated, slinky number with a high slit and back cut-out, I made… a dressing gown. Sort of. I drew inspiration from a simple, but very glamorous and slightly quirky evening gown that Katharine Hepburn wore in the 1938 screwball comedy Bringing Up Baby, the one that has the entire back panel of the skirt ripped off in a memorable scene. I translated the inspiration into a long gown with an a-line skirt, containing all the width I could squeeze out of 3 yards of fabric, and a surplice bodice, buttoned at the side, with elbow-length sleeves and a modest v-neck. I really like that combination of the rather casual, simple cut with the inherently festive fabric. It’s a dress that looks comfortable, and feels easy to wear.

The entire garment is flatlined with red cotton poplin, to protect the skin from the somewhat scratchy sequin fabric and counteract a slight transparency, since the base material is a synthetic tulle with very little stretch. I put it together with french seams throughout, for further protection against scratchy sequins on the inside of it, and finished the hem and edges with poplin bias strips on the inside. I also spent a lot of time cutting tiny 2 mm sequins in half, to clear at least some of the seam allowances of the extra bulk. The end result is a very heavy, but, yes, quite comfortable evening gown that I really think I will get a lot of use out of. It’s formal enough for white tie events at a pinch, what with the full length, but also frivolous enough for black tie and just plain parties, and I also think it turned out quite flattering.

Cutting a thousand little sequins in half to clear the seam allowances = major pain in the behind.

I also made the pearl… thing. It’s a masquerade, after all, of course you want a mask of some sort, and I didn’t feel like repeating last year’s sequin glove mask, especially since this year’s theme was the roaring 20′s, which really isn’t my decade, normally. I toyed with the idea of simply draping a few strings of pearls across the eyes, but that seemed a little too easy, and the project grew into this, after having a closer look at showy Art Deco headpieces, the Ballets Russes and Russian kokoshniks. It’s all based on a plain plastic headband with teeth, my favourite notions shop turned out to have an old lot of vintage glass pearls in stock, and the  rest is steel wire, lots of pearl string and thousands of knots, topped off with two enormous artificial peonies.

Pearl headdress in progress, from the very beginning to close to finished.

And it was fun. All of it, including New Year’s Eve. Hope you all had a great New Year’s too, have yourselves a happy new year!

More on both projects over at the Fashion in Shrouds, for once.

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simplicity 2195

I don’t often get chance to partake in sewing challenges. My own personal sewing list is long enough and even that is jeopardised by work and small people! But this blouse had a decent deadline and an exciting date to wear the finished shirt to. A bowling date with some really cool bloggers at London’s Bloomsbury Lanes!

simplicity 2195

It’s not strictly a bowling shirt, as you can no doubt see, but with a bit of black piping on the yoke and a hand embroidered monogram, it was the best I could find. And I wasn’t unhappy with it! It works as a day shirt too and sits great with a half circle skirt and my favourite boots, for a lunch date with the Mister!

simplicity 2195 vintage blouse

I did an FBA but other than that it was a very simple make and I am so going to make a gingham one to match the pic on the cover of the pattern.

simplicity 2195

More details over at ooobop!

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Vogue 2934 jacket

It is jacket weather for sure in the UK and a damn fine excuse to put this pattern to work. It has been patient enough!

Such a simple one to make but beware, there is a lot of hand-sewing involved which makes it very time consuming.

I used an inexpensive wool blend for the outer fabric. It’s got a great texture to it which makes it very snuggly.

vogue 2934 jacket

For the lining I splashed out on 100% silk satin and I’m so jolly glad I did. It feels like heaven, every time I put it on.

v2934 jacket

I’m not sure I could get away with wearing anything else other than a pencil skirt with this jacket for fear of looking like a Weeble but it is nonetheless very flattering for such a cropped cape-like shape.

The dolman sleeves and big substantial cuffs did it for me. But I do love those ‘frogs’ too!

v2934 jacket

Lots more crazy photos over on the blog. Thanks for hopping by :-)

 

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Hi everybody !

Today, a little denim skirt with red on it !

With this project I aimed to make myself a second skirt that fits perfectly, such as the vintage flower skirt made last july did. At the same time, I wanted to refashion these kind-of-old trousers of my boyfriend.


See more pics and details of this project on my blog.

Bye bye ans see you soon !

Camille

 

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