This ia a 60’s inspired dress. Its made with a very fine cord and is slightly A line and has a funnel neck and bishop sleeves.
The pattern is one from Burdastyle (September 2015), but is easily customised to that vintage feel.
I altered the sleeves and added the funnel neck to achieve the desired effect. I know 60’s dresses are much shorter than this one, but I’m not comfortable with miniskirt length these days.
You can find more details on my blog .
I just love when I get to do a Halloween costume that will be worn as an everyday outfit as well. Because who really wants to put a ton of work into a dress that will only be worn once. I was beyond thrilled when I asked my 2 year old daughter what she wanted to be for Halloween this year and she responded with an enthusiastic, Lucy!! Followed by her favorite quote, “do you poop out at parties?”.
Her dress was created by altering a pattern I already had on hand (The Dainty Darling dress) in one of my favorite sewing books, “Sew Classic Clothes for Girls” by Lindsay Wilkes.
My dress was created using Butterick’s B6018.
I have to admit, I am so beyond pleased with this pattern. I think I am going to have to sew it up again in view b.
But the best part of our costumes, is the fact that only the aprons were the costume-y bits and we can wear our dresses out again for a wonderfully vintage mommy and me look!
You can read more about my make at my blog, Seams Sew Retro.
I really do try my best to buy natural fibers, I’m just not a fan of polyester or acetate, nor nylon or spandex. Then of course there comes along a fabric so fun or downright special that I have to break my own rules… like flocked velvet spider webs on black taffeta! It may not be silk, but this fabric was too great to pass up!
The pattern for a circle skirt is so simple to cut and sew together it’s no wonder the style remains popular among vintage reproduction sewers. The hardest part is the zipper, but then again perhaps zippers and I just don’t get along and other seamstresses don’t fear them the same way I do! The hems on these skirts sure do take ages to finish if you are doing them by hand though.I usually finish circle skirt hems with bias tape sewn on by machine then ironed under and stitched down by hand. It takes two and a half packages of pre-made bias tape to do such a hem, but it is so worth it in the end! No hassle, just time consuming!
The skirt has a lot of natural body to it as the taffeta is quite stiff on its own, but of course I still wore it over a petticoat too for maximum flair. Another way to get this kind of body in a circle skirt with a less stiff fabric is to use horsehair braid in the hem, but I didn’t have to bother for this skirt. I have been putting twill tape in all of my waistbands though so they don’t stretch out on me after the first wearing. There is nothing more annoying than having a waistband suddenly grow a few inches out of nowhere as it isn’t a fun repair to make!
For more photos of this outfit visit me over on The Closet Historian. Happy Halloween everyone!
Hello again 🙂 Some time ago I started sewing a skirt with an interesting pleat arrangement. The pattern is vintage Simplicity 2813 from 1958. I found it on Ebay and it came to me from the beautiful France.
I love it so much I’m going to use it again and again; currently I’m thinking of navy silk shantung/dupioni or faille for the 2nd version. But back to my number 3, already sewn using black wool blend:
As with most of the vintage skirt patterns, once I’ve chosen the size the fit was perfect – so I made none alterations at all. Even the lenght was spot on.The construction of the skirt is straightforward; it has side seams and center back seam as well as eight darts, which are the main reason for a good fit between waist and hips.
The bottom part is separate, to be completed on its own and sewn to the main skirt pieces after they had been constructed as well. On the top of the junction there is an ornamental strip of fabric, finished off with a bow.To get the bottom part to stand away from the skirt and accentuate the flare, I made the upper skirt-lower skirt junction as a kind of buttressed seam. That proved to be a quick solution which worked perfectly. The zipper is a lapped one, sewn by hand with prick stitches.
I invite you to my blog, rvdzik.blogspot.com, for more details. Thank you for reading!
Anyone who wears 1950s styles will know that a good petticoat will take your dress from “meh” to “fabulous” in an instant! But the world of petticoats can also be overwhelming and, let’s face it, expensive. I’ve tried several different styles in the 7+ years I’ve been wearing vintage and I’m excited to finally put all my thoughts in one place! I have a few economical ideas, a few reviews of popular reproduction brands, and mainly- loads of photos! Hop on over to my blog, Mode de Lis, for the full run-down!
Happy petticoating! I’d also love to hear of any experiences you’ve had with petticoats- do you have any favorites?
Some time ago (oh my, 2 years to be precise) one lady from my family had heard about the fact I’m sewing and she approached me with a request.
In general I don’t grant “would sew me this or that” favors, but there were 3 things that made the situation different that time:
1) the lady had a fabric that we both loved
2) she has waited patiently for me to sew the dress for 2 years without as much as a word of hurrying me up
3) she wanted to have a dress like the ones worn in her youth, that is the late 60s. She sighed, looked at the clothes in her closet and said “They just don’t make it anymore the way they used to in the 1960s, you know”.
The trick was that she only had a 140cm (about 1,5 yards) of the fabric. I chose Simplicity 1609, a 60s repro, because if the iconic and clearly defined A-line of the dress and clever shaping with only 4 main pieces, but the pattern called for at least 170cm of fabric.
That is why, my dear Readers, the print is awfully mismatched at the seams.
I changed the fastening- instead of a long back zipper I made a small opening at the neck with a tiny button and a loop made of a strip os bias-cut self-fabric with the stretch steamed out of it. As you can see in one of the photos above, I also made a small string-like belt to help with accentuating the waist.
Because I had so little fabric, I hemmed it with a help of white satin bias ribbon, hand stitched (as always) to avoid marking the fabric from the outside.
I invite you to visit my blog, rvdzik.blogspot.com, to read more about the pattern alterations and see the photos of the insides of the dress 🙂