Okay So i am making these cute little shorts, not sure if there retro isn or not but they are adorable.
Well I cut out the patten and figured out my size, and i’m stumped about this part of the pattern. I’ve made lots of bloomers for a show once but they never had a fly extension. And this pattern is not making it easy to decode and the instructions are useless…
Thats the pattern piece i am stuck on, any help would amazing.
I have been wanting to make a pair of 1970′s black velvet hot pants for a while, so I decided to have a go at this Mary Quant pattern and see what these looked like made up.
I used a remnant of 1980′s furnishing fabric to do the mock up from – I thought that the weight of the fabric would work better than making it from calico. Once I got it to this stage, they looked cute (in a non-Quant kind of way), so I thought ‘what the heck’ and decided to finish them properly.
The blouse on the pattern illustration was made in broderie, so I used another remnant (in a dirty beige colour) from stash to make it up – and found some awesome vintage buttons that seemed to be in keeping with the whole dandy feel.
The result, complete with some trashy coloured pearl necklaces and bracelets from a local op-shop, was interesting, but wearable.
And I have yet to make up the black velvet hot pants.
My favourite vintage is definitely 50s style; swinging skirts and nipped-in waists. This is a reproduction pattern Butterick 6018 which was new this season.
It wasn’t an easy pattern, quite a lot of bulk in places, but this would be minimised by a finer fabric (this was a synthetic crepe, but in my absolutely favourite duck egg blue). I am generally happy with this dress, although I think it could be more fitted around the waist. I cut a size 14 graded to a 16 at the bust. More details on my blog (http://magscreativemeanderings.blogspot.co.uk/2014/07/butterick-6018-and-happy-july.html)
I’ve posted variations of this dress before, along with the gory saga of fitting the pattern.
I actually finished this version of the dress for the Fourth of July, 2013, and wore it on a day trip to Camp Hearne, but I haven’t posted it because I didn’t have the matching bolero done.
The bolero needed a little tweaking, but nothing like the dress pattern did, which is fortunate because I might otherwise be posting this for the Fourth of July, 2027.
Pardon the squinting. This is on the courthouse square in El Dorado, Arkansas, where the weather was incredibly lovely but sunny.
This photo is also proof that not all introverts are shy.
Almost everything was closed because of the holiday, but we went for breakfast at Jimmy B‘s (I highly recommend the Western omelet) and then wandered around for awhile, just because. There was one antique shop open. My brother got some old Ball jars to use as samples at work (he’s an archaeologist, except in Arkansas it’s spelled “archeologist”, because you can do that when you’re the most geographically beautiful state in the Union), and I got a Napco sitting Great Dane and a Frankoma “Good Luck” trivet, which has horseshoes on it, in case I someday achieve the cowboy-themed kitchen of my dreams.
In case anyone is wondering: The buttons are decorative only, but there are two hooks-and-loops on the inside edge of the jacket to keep it closed. I will very definitely be using the jacket pattern again to go with my sundresses–this was awesome as a coverup for sun/air-conditioning/situation-appropriateness. Also, because people always ask, the boots are Ariat Heritage r-toes. I also have them in brown. They’re super comfortable.