Oh my! I haven’t posted here in ages! I used to post on the old sew retro page but don’t even know if I have ever posted on this site. So this post is long overdue :)

I’ve been reading along all the while but never shown you any vintage-inspired garments of my own. I don’t sew much from vintage patterns because vintage sizing scares me, so I’d rather make my own pattern or use a modern one.

My new Colette Sencha has a super-vintagey look but is made from a modern pattern.

This is my second Sencha. I have made one previously in 2010 but it no longer fits me. Alas, I passed it over to a friend who can hopefully get some use out of it.

For the back closing I used vintage buttons from my stash. I think they go well with the white polka-dot pattern.

If you’d like to see more of my sewing creations you can visit me on my blog: http://starcross-sewing.blogspot.co.uk/.

Happy Vintage Sewing!

Stephanie

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Suzy Bishop – the young heroine of the movie Moonlight Kindgom has a pretty enviable set of outfits. The wardrobe was put together by Kasia Walicka Maimone who was interviewed in the Lula Issue 16 (where she talked about working with Wes and making the costumes for the movie)
And the whole movie is set in the 1960s!
So of course I couldn’t help myself but sew up my own version of Suzy’s yellow mini dress. She wears this at the end of the movie while Sam paints and her brothers listen their record. Suzy’s appears to be made in yellow broderie anglaise

There are a lot of interpretations of Suzy’s dresses out there including lots for halloween, and this my one. I used Style 2475 for the dress and swapped the stand-up collar for a peter pan style one which I drafted. The collar at the back is too short so there is a bit of a weird gap between the end of the collar and the zipper. I won’t show you – it’s hideous the way I tried to fix it…



I also borrowed the cuffs from another pattern, but they could be very easily drafted up as well. 

The fabric is a buttery soft yellow linen from ‘the Fabric shop’ in Surry Hills. It’s very see through so I have to wear a slip underneath. I tried to find a yellow lace, but the closest I came was white lace and a box of yellow Dylon
Also, because I’m not very smart sometimes, I forgot to add more allowance to the hips in this pattern. So it ended up being very tight and I couldn’t include pockets into the seam lines as intended. (I’ve written myself a little note for next time and popped it in the envelope)
Over all it’s a very sweet little dress!

If you’d like to see more 60s style sewing, head over to my blog sewing the 60s

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Headline News booklet
I came across a charming booklet entitled Headline News via the Vintage Pattern Files website and decided I simply had to try out some of the crochet patterns there; it had to be something that I could actually wear, though, which meant the strictly practical ‘head-shawl’ featured on the right-hand side of the front cover (suitable for ‘motoring or riding your bike’) rather than the exotic ‘fascinator’ on the left, let alone the flower-covered ‘captivator’ illustrated inside!

I’d wanted something like this for some time and had actually planned to make up one of my various hat-and-integral-scarf patterns – I have one with a bunch of bright crochet flowers on that I’ve meant to try for years – but felt that this would work quite well to fulfil the double role of keeping my ears warm and stopping draughts whistling down the open V-neck of my tailored coat.

Unfortunately none of the patterns in this leaflet give any indication as to tension, so it was complete guesswork as to what thickness of wool I ought to be using and what size crochet hook. The yarn being advertised (“Lily’s No.600 Crochet and Knitting Cotton”) was evidently quite chunky as crochet cotton went, so I thought I’d try some of my vintage 4-ply wool on the grounds that this was fairly chunky as vintage yarn went, and picked a 2.5mm hook after experimenting with a 2mm hook and deciding that the resulting crochet didn’t look as ‘open’ as the fabric illustrated. All these first three patterns in the booklet are essentially a basic triangle shape gathered in different ways, and the base of the triangle seemed wide enough to drape around my shoulders adequately, so I reckoned this was probably about the right size.

When I reached the apex of the triangle, however, it became apparent that it was on the contrary very much too small! The neck-cord was supposed to be threaded in a semi-circle at a radius of 12″ from the edge of the shawl, and the entire shawl was less than twelve inches deep – something had evidently gone radically wrong.

Fortunately this was crochet and not knitting, which meant it proved possible to retro-engineer a complete six-inch additional section of shawl (with the aid of some mathematical calculation) and then slip-stitch the upper loops on to the cast-on edge in a fairly stretchy manner without the join’s showing too much…

Join just visible towards upper edge of triangle

I’ve read descriptions of young ladies conversing while ‘knotting a fringe’; I never realised how long it took in real life. No wonder they regarded it on a level with doing tapestry as a means of avoiding idle hands!

Winding wool to size around a card before cutting more lengths to knot as a fringe

The next problem was trying to get the weird cockscomb crest working. I wanted it to match the fringe rather than the body of the shawl, and as I’d used a thinner yarn for this I was back to experimenting with hook size again. I tried a large hook, I tried a small hook, I tried using the wool doubled, and eventually came to the conclusion that folding up a thick strip to get the heavy cartridge-pleated effect visible in the photo wasn’t going to work. I also came to the conclusion that the instructions about how far along the strip to place the folds were simply wrong!

So in the end I winged it to produce a lighter and shorter strip that would stand up better under its own steam – the heavy one simply weighed down the front of the head-shawl and caused it to flop – and decided that the mysterious instruction to ‘gather slightly’ the folds implied gathering each separate fold width-ways across the strip to spread the bows a little at the top, rather than gathering the strip lengthways into the actual folds required. At any rate it seemed to provide the requisite stiffening.

After all this I wasn’t particularly pleased with the finished article, which didn’t look much like the original pattern photo despite all my efforts. However I tried it out in the cold and snow of this past spring, and found it surprisingly effective despite the open mesh; it’s not proof against a direct blast of icy wind, but it does keep your head pretty warm otherwise. And I had been getting very, very tired of reknotting my large polyester headsquare, which persisted in slipping undone and was very unflattering.

The drawstring design of the head-shawl (essentially, you just pull the cord tight around your neck to fasten it on) proved as practical as advertised, although I haven’t used it for riding my bike – and the long ends of the triangle hanging down in front fill in the neck opening of a coat very conveniently. It doesn’t have the same tendency as a neckscarf to come unwound if you turn your head, and I found I didn’t spend so much time hunching rigidly to try to keep the draught out. Meanwhile the ‘crest’ on the front does actually serve a purpose in making the design noticeably more flattering than a basic headscarf – it removes the ‘low forehead’ appearance and is much less reminiscent of a Russian granny!

So in fact I ended up wearing it on a more or less daily basis throughout the prolonged wait for Spring: it’s easier (because less bulky) to carry around than a hat and scarf, doesn’t look like a peasant headwrap, and is surprisingly effective as a warm garment. I’ve even been told that it looks appealingly ‘retro’, which is perhaps unsurprising in a 1940s pattern…

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Maxi dress made from vintage Simplicity pattern 9354 and some modern cotton batik thrifted for $4.00 at the Salvation Army, Clark’s retro style wedges, vintage crochet shawl, tribal fusion necklace made by me, Moroccan belt and “Ozzie” sunglasses.


Really enjoyed chatting with everyone in my first post! I’m back with more 70s sewing projects.

Some members commented on their fondness for a classic 70s pattern that was in my last post; Simplicity 9354. I previously created two versions of the dress done up in different, modern fabrics and in different lengths. The maxi was made for a cotton batik and the midi from some leftover, cotton, Halloween fabric with stars on it.

Wishing you all sharp scissors and balanced tensions!

More photos and comments on my blog at http://mseccentricartsvintage.blogspot.com/

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Step in shirt dress with or without top-stitch trim has bias collar and full length shirt sleeves; pockets in side seams

Last year I purchased this sweet shirt dress pattern from eBay. It’s a lovely dress from 1967 and has all those things you’d expect from a late 60s dress like Bishop Sleeves and the wide tent shape
View B
The thing I like most about this is how the wide A shape of the dress is accented by the delicate shoulders and collar. Although this style is typically for Children, in the 60s this style of dress was very common, as it was on purposely designed to replicate the clothing of the wearer’s childhoods, therefore perpetuating the Youth ideal of the era.
For more delightful 60s sewing, please pop over to Sewingthe60s

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I modified the, you guessed it, laurel for this dress. I used a brocade fabric I brought on sale ages ago for like a dollar a yard. The beading is an appliqué I picked up on ebay, and the headband is just jersey and feathers. I’m going to see the movie tonight, and plan on wearing this, I expect some “looks”!

While I know this isn’t the best shape for my figure, it’s pretty authentic. I even wore a sports bra to help flatten out my girls, which takes a WHOLE LOTTA sports bra to be quite honest.

I’m going to wear it out with a drapey cardigan I picked up from target, it seems to go quite well.

For more you can check out my blog here if you feel so inclined!

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I started working on this dress last June or July, and managed to finish it in under a year.  Yay!

 

This was one of the first vintage patterns I purchased, and it was both easy and fun to make.  It took me so long to finish because I ran out of steam last summer when I had trouble finding buttons to match the fabric, and by the time I finally found the right buttons I was busy with other projects.

The pattern is from 1964.

 

I have more photos and some notes on the issues I ran into on my blog.  I’m planning on making this again, but I won’t start the next one until I’ve bought both the fabric and the buttons.

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So there I was minding my own business when I thought, “Hey! That bright purple stretch cotton shirting in my stash would make a GREAT wiggle dress!”

Of course I had to do it. The Sewing Gods must be obeyed.

I combined two patterns in my stash – I put the bodice from 5808 (dated 1960) on top of the skirt from 5507 (dated 1961). This was a great instant gratification project – about $15 in supplies and a day and a half of labor. Even better, it allowed me to check off one of my resolutions as I’ve been meaning to make a wiggle dress for ages! Of course, what happens when don’t make a muslin is that you discover that the bateau neckline is about an inch too wide on either side… after it’s been faced and understitched. (This is at least the third bateau neckline I’ve had problems with, maybe someday I’ll learn!) Rather than undo all that hard work, I took a couple of pleats on either side of the neckline to rein in the extra material. They coordinate with the double pleats in the skirt so I’m calling it a design element.

The purple color is really hard to photograph – it’s a bit grape-ier in real life. And I am hard to photograph too!

All in all, I’m really glad I made this dress for myself. For one, it was really nice to have a new dress for Mother’s Day! For another, I’m gradually getting over my fear of my giant hips. I was really surprised to learn that I don’t look like Barney the Purple Dinosaur in such a form-fitting dress. Actually, while I used a material with a wee bit of stretch, I didn’t really need to – there is plenty of ease in the hips. Once I get the neckline issues worked out, I actually have some vintage brocade that would make a SMASHING wiggle dress!

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This is the story of the Brigitte Dress:

  

 Starting after almost a year with this sewing project was quite difficult. Firstly, because I lost my traced and graded patterns due to the fire we had last summer. I still have the original pattern, but it is size 3jp, which is very very small! I didn’t feel like starting all over again, because I made quite some changes to the original pattern and that took a lot of time.

Things didn’t get easier when I realised I missed a gingham skirt piece I already had cut out, before we had the fire.

When we moved back to our house and started unpacking the boxes, I collected my sewing material and kept an eye out for the cutted pieces and the muslin of the Brigitte Dress. When we went through all of our boxes, I still hadn’t found the missing skirt piece. 

I did find the cleaned gingham fabric, but I didn’t have enough to cut a new skirt. Luckily, I also found the muslin of the bodice. But if I wanted to finish this dress I had to find the missing piece.

 It was at the end of october that I found the missing piece. We went to a flea market to sell some things. I found the skirt piece in one of the boxes we took with us. I really don’t know how it got there, and how I could miss it when I fill the boxes with things to sell?!? 

 So, in october I could start sewing this dress, but I didn’t know how to start. I couldn’t remember how far I had progressed and I thought I had to start all over again because I missed the traced/graded patterns. Until last week. I finally had enough courage to take a look at the muslin and try it on. It wasn’t that bad at all! It gave me motivation to finally finish the dress. 

  

I really like this classic 60s model, a fitted body and a wide skirt. I wear it with my petticoat to give it extra volume. My main inspiration was Brigitte Bardots gingham dress as the name suggests. I fell in love with the combination of gingham and lace.

When I took pictures I was a bit whimsical(?). Can you see what I changed during the photoshoot?

I hope you like it! :)

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Maybe someone here can help me date and name this pattern. I haven’t got the actual envelope for it and therefore only the pattern number but not what make it is. It looks like a mailorder pattern to me but Vintage pattern Wiki wasn’t any help to confirm my suspicion. Maybe one of you lovely reader can help.

But onto the dress. I made it from a black and white floral cotton, that I got when visiting my in laws in Leicestershire last month. I wasn’t sure what to make from it at first and decided I want to make one of my vintage shirt waist patterns that I haven’t touched yet. After a little help from Twitter and Instagram friends I decided on this pattern.

I opted for sleeves and shortened the hem by about 9 inches. I’m really happy about the way it turned out although I wasn’t too sure about the collar on me at first. If I make this dress again I would probably make a circle skirt instead of this center seamed one.

Please visit my blog for more pictures and details here.

Thank you XX

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