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1940s | 1950s | Dresses | Modern Patterns | Vintage Sewing

Colette Patterns, Penny Dress

By on October 27, 2017
Vintage on Tap, Colette Penny dress with full tutorial | Vintage on Tap

Modern with retro flair! The Colette Penny was my last summer hoorah before I transitioned over to Fall and Winter pieces.

Vintage on Tap, Colette Penny dress with full tutorial | Vintage on Tap

 

This particular October in San Francisco has been super warm, so I’ve gotten the opportunity to wear this dress more frequently than I anticipated!

 

Vintage on Tap, Colette Penny dress with full tutorial | Vintage on Tap

 

The vintage-inspired selling points for me were the following:

  • The cummerbund (super 50s and I love how it looks like my waist is smaller than it is haha!)
  • The A-line skirt (flattering and very 40s in its simplicity)
  • Buttons all the way to the top (very vintage-office-chic)

 

Vintage on Tap, Colette Penny dress with full tutorial | Vintage on Tap

 

The change I would probably recommend right off the bat is…

to add hooks, rather than snaps, to the cummerbund “belt”, especially since it ends right where your arm might pop off the belt (having the hooks there just makes more sense to me, anyway!)

More detailed photos, including a How to Sew video over on my website. 

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Dresses | Modern Patterns | Vintage Sewing

Rayon Hawaiian Pake Muu for me!

By on October 26, 2017

Something I’ve always wanted, and have never sewn up is a Pake Muu.

Pake Muus were made popular by Alred Shaheen in the 1940s to 1950s, and I’ve always wanted one of my own.

I ended up modding Simplicity 8244 quite a bit (including adding sleeves and cutting the front on a fold). You can read about the complete list here on my blog.

The fabric is a beautiful cold rayon that I picked up in Hawaii earlier this year. I went through and used white rayon as the contrast like a traditional Pake Muu.

I’ll definitely be making more of these!

 

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1940s | Dresses | Vintage Sewing

1940s Organic Cotton Gingham Dress

By on October 12, 2017

5955 McCall sewing pattern, 1946

After watching the brilliant documentary The True Cost, about the human and environmental impact of fast fashion, I decided to try and make a completely ethically-produced dress. I chose to make it using an original sewing pattern from 1946 that I had won in a competition on the Vintage Sewing Pattern Nerds Facebook group. It’s a little later than my usual style dress (1930s to early 40s) but, as it looked like it could easily be from the late 1930s, I decided to go for it.

1940s organic gingham dress

The fabric I used was 100% organic cotton gingham from the Organic Textile Company. They produce this beautiful soft cotton in two different sizes and both in three different colours, red, blue and black. As I loved both sizes so much I chose to use both in red and use the smaller one on the bias. Of course, each of the pieces I cut in this way had to be stabilised with straight cut facings.

1940s organic gingham cotton dress

All of the trimmings I used were either vintage pieces or items I already owned, even the ivory cotton thread I used to sew the dress up. This all adds up to an almost totally ethically made garment. However, there is one thing I did have to buy new, and it wasn’t organic or ethically-produced, so I can’t quite say this dress is 100% ethical.

Head on over to my blog to find out what this item was and, if you want to know more about why it isn’t ethical, have a read of the comments at the end of the post.

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1950s

Double trouble

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Dear WeSewRetro Readers,

meeting the Tailleur Bar in my ensamble

I had been searching for a vintage Simplicity 4538 pattern for some time, never having any luck with buying it. When I discovered that Simplicity has just reissued this design as a repro 8452, it landed straight into my shopping basket. The blouse is in fact a two-seam rectangle, but what a glorious rectangle it is. It is quick to make (it took me one afternoon form cutting to giving the final touches), drapes beautifully and has two glorious 1950s characteristics: it gives a wide yet soft-shouldered look and accentuates the waist like a solid cincher.

The black skirt is the bottom part of a vintage Butterick 6976 form 1954. Side note: it was one of the very first vintage patterns I have ever bought… The skirt has 6 panels and features 4 box-pleats, which amounts to a great fullness at the hem and creates very graceful movements.

To see and read more, I invite you to my blog, rvdzik.blogspot.com 🙂 Thank you for visiting!

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1950s | Accessories | Dresses | Jackets | Vintage Sewing

Hommage to Audrey Hepburn – Chic in late 50s

By on October 1, 2017

Hello everyone
This is my first time posting here.
Therefore I’d like to introduce myself shortly: I am 23, live in the heart of Switzerland and started sewing about 2 years ago. With my mom and sister I blog at PeterSilie&Co – you are of course welcome to visit us.

Vintage Dress Beyer Mode, PeterSilie&Co, 60s
Just like you, I love to sew vintage sewing patterns. Just sometimes it is really frustrating. It can take forever to recreate a vintage sewing pattern. So, when I spotted this pattern, I knew this would be an easy to sew dress.

And because I am ambitious and the dress alone would be to easy to sew, I decided to make a matching jacket. For the jacket I used a pattern, I’ve sewn before from Neuer Schnitt 1962.
The dress was quite easy to make. But of course I had to change the darts – they were way to high. And it took some time to pleat the skirt in the perfect way to match with the bodice.
Because I made the jacket the second time, I didn’t have to make any changes. Due to the fact, that I wanted to wear the jacket with other dresses as well, the jacket is black. The plaid is only on the inside, so I can always decide, if I want to show the plaid (or not).
But my highlight of the look are the belts. At first I thought that it is just a long belt wrapped around the waist several times. Instead the fabric is draped. The instructions were very short (as usual) and I just made them up on the go. And I love, love, love the outcome. (I even wrote a little tutorial: Right now only in German, but if google translator is not working out for you, let me know.) But the blogpost about the dress is now available in english.
If you wish to see more swoon worthy pictures, you can hop over to our blog PeterSilie&Co – and yes, the shooting was definitely Audrey Hepburn inspired.
I only wish, I would have written more text (to be able to show more photographs).
Till next time

Sabine

Vintage Plaid dress, Beyer Mode PeterSilie&Co

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1950s

The Paris coat

By on September 30, 2017

Dear WeSewRetro Readers,

as I was planning an autumn holiday trip to see Dior haute couture exhibition, I knew that I had to make a coat as it’s the most important piece of a travel wardrobe; not only due to the fact that it keeps you warm and cozy in a plane or during long walks, but also because a good coat is the simplest and quickest style statement you can make, covering all the in-between clothing beneath.


I have bought this beautiful wool because of its outstanding deep red shade. When I got my hands on Marfy 1961 I knew I had a match and a trip was a perfect excuse to sew it up. The coat was beautifully drafted, with a spectacular collar, interesting front shaping and – last but not least – the best-fitting sleeve that I have worked with. My modifications included lengthening the garment to make it more 1950s-appropriate (I was going for a mid-century swing coat silhouette), changing the collar gathers to small pleats, adding rows of topstitching, removing pockets and putting and emphasis on the sleeves by accentuating the cuffs.

Too see and read more, I invite you to visit my blog, rvdzik.blogspot.com. Thank you !

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