Hats

The second skirt in my Pendleton quartet is another plaid number. This one is fairly plain as well, with some simple alterations made to change the look up a bit. I widened the waistband and added suspenders. I’ve always really liked the look of the suspender skirt (whether from the 1910s or the 1950s or anywhere in between), and have intended to make myself one for a long time now. I thought it would be a nice silhouette with this plaid also, simple enough to showcase the pattern, but not so overly simplified as to be boring. This piece of wool had just a few moth holes that needed repair, so I set myself to work at re-weaving again. This is a much finer weave than the previous fabric, so it required a little more precision, but it really wasn’t too bad. I have to admit, I think I’m actually getting a little hooked on it. It’s just the kind of insanely meticulous work I find fun and relaxing (’cause maybe I’m a little nuts).

 

After pulling threads from a scrap of the plaid, I set to work reweaving the two holes in the skirt front, and then the two in the suspender pieces.

 

Doing this made me feel a little bit like the woman who made Chanel’s braided trim for decades (although not old, French, and incredibly skilled).

 

You can see the first hole mid-repair just to the right of the pin.

The skirt turned out pretty well, and I had just enough left of the fabric to make a matching hat (because every outfit should have a matching hat, right?). Anyway, I used the Wearing History Sporty Toppers pattern, view 1. I was working with scraps, so the plaid doesn’t match perfectly on top, but it doesn’t bother me too much since there is so much seaming to break it up in the first place. I used a slightly narrower ribbon than called for in the pattern, but I like how it looks.

 

 

 

 

 

 

 

 

 

To complete my sort of “golf-course” couture look, I managed to finally finish one of my biggest UFOs; this brown wool suit jacket. I started this suit about three years ago, finished the skirt, got about half way through the jacket and then put it on the back burner and left it there to stew. It feels really good to finally have it finished and out of the project pile. It’s far from perfect, but finished it all I was really aiming for at this point, so I’m happy with it. I don’t have all the pattern details in front of me, but I’ll try and dig them up. I’m pretty sure it’s a McCall’s pattern, and it’s from the 50s, but I’m not sure the exact year and can’t remember the number. Anyway, here’s the ensemble all put together and ready for a stroll across the fairway. (Both pieces need a little touch up with the iron).

 

 

 

 

 

 

 

 

So, that’s that. Now on to other projects in the queue. I’ve still got two of the wool skirts to put together, and then numerous other summery projects to start, but I’ve got an Edwardian event to go to in early May that I also have to make some stuff for, and that will probably take precedence. Hope everyone has had a good week!

 

-Evie

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I made this dress to wear to a Downton Abbey inspired tea, but also as an entry into the Historical Sew Fortnightly Challenge #3 Pink.  The pattern itself is a repro of an original 1921 Butterick pattern and it went together very nicely.  For being such an old pattern the instructions were much better than what you find on BurdaStyle magazines, although they are wholly inadequate Big Four standards today. I used a poly shantung for economical reasons but other than that, the dress is pretty historically accurate.  Actually, it’s not a dress but a skirt suspended from a “long underbody” and then a blouse on top. I am very happy with how it turned out.  It’s not something I can just wear around but it served its purpose, and I think I’m going to use during Costume College for day activities.  For more pictures and a description of the Historical Sew Fortnightly challenge, please visit my blog.  I almost forgot, I made the hat too, using Simplicity 1736 and wool/rayon felt.

 

As a side note, I hadn’t made any posts since the blog was moved over from Blogger but I could have sworn I had an account.  Apparently I didn’t so I had to create one, and it’s showing that I have no other posts.  Bummer.

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Hi everyone!

A few weeks ago I made this white gypsy top… I had been wanting one for agessssssss and have always loved them!

I made the cropped version as it is perfect for summer and can be paired with high waist skirts, short or jeans etc.

I found the pattern at a op-shop (thrift store) for 60 cents! Next time I might add the material frill trim and possibly attach the pom-pom trimming. I am currently making the longer version of this top with red ric-rac as a gift for my friend’s birthday and it looks lovely so far!

I like that I can wear the sleeves up or down!

Here are a two ways that I styled it!

(Lemon/Lime skirt is by Tara Starlet)

I also made these shorts with a 1940s pattern and paired them with my gypsy top at the beach! I bought the pattern as a PDF file on esty…

It seems like not all of the directions for the shorts were properly scanned and were missing so it made it a bit tricky… I have made quite a few pairs of shorts though with a 1960s pattern so I did understand the construction of shorts and just went with the flow. The fit is not perfect (A little loose, but I don’t mind that on a hot summers day, they still fit and look quite nice). Next time I will work on the fit around the waist and probably sew an attachment belt onto the shorts instead of just folding them over, I could then add a button above the zip to improve the fit even more.

I was lucky to score 6 of the Butterick Retro reproduction patterns today at the sewing store, 3 patterns for $10! I can’t wait to get started on them!

See the full Lemon/lime gypsy post here and the beach post here!

Kayla – Gracefullyvintage

 

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Hello lovely fellow sewers,

Some of you may or may not remember me but I am the year 12 student who was making the vintage Vogue lavender hemp and organic cotton day dress, with felt pillbox hat and embroidered vintage gloves for my Textiles and Design major work? Any ways, a few months ago I finally finished and handed it in for marking, which was the best feeling ever! (see photo below)

I finished with plenty of time to spare and unlike most of the girls in my class, I wasn’t working late into the night and into the next day in a rush :) I was happy with my finished product despite the many problems and frustrations that came with it- I struggled with the bound buttonholes which were a new skill that I had to learn to master pretty quickly but with a lot of help from my dedicated teachers, I managed to finish them OK. Lining the dress was also a hurdle but after many lunchtimes and afternoons spent at school in front of a sewing machine, I was able to line it with white cotton voile beautifully. The hat was surprisingly easy but (despite the pattern not requiring a stiffener) I was forced to add stiff Vilene interfacing into the side of the hat to allow it to stand up. On the side, I included a vintage lace flower which belonged to an elderly neighbour of mine who recently died, so I felt it was a lovely way to reincarnate her memory in a hat that she would have loved. Both my grandmother’s who were my main inspiration absolutely loved the dress and both said that it looked exactly the same as the many dresses they wore, so I think my job was completed successfully!

I also gained a lot of praise from many people when I told them what most of the outfit was made of (hemp/organic cotton material for the dress and eco- felt for the hat) Many were surprised how versatile the fabric was and hopefully this gave many the idea of using eco friendly fabrics in their  future projects too :)

Also, for those who helped me out with a brand name which was required for my folio, I settled on ‘Mary-Joan Vintage’, as these are the names of my grandmothers and I thought it paid decent homage to my main inspirations :) Thanks for all your help lovely sewers xx

My best friend (on the right) and I (left) about to hand in our major works

 

Another photo shoot image

Another photo shoot image

The finished product- we did a photo shoot and my good friend Rosanna modelled for me in front of my Dad's 1962 Valiant S series

the finished hat :)

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