1920s | 1930s | Blouses | Downton Abbey Inspired | Pattern Drafting | Vintage Sewing

A 1920’s Blouse Done 3 ways with One Vintage Dress Pattern

By on June 25, 2017

Three Blouses from One 1920's Dress Pattern

As part of my quest to build a “Miss Fisher” wardrobe, I’ve sewed up three little blouses inspired by separates her character wears in different episodes.  This post will show you the 3 blouses I have made, starting with one pattern.  The base pattern is the Vintage Pattern Lending Library 1920s Ladies Frock with Pleated Skirt Inset – Reproduction Sewing Pattern #Z2773.

Here is my Finished Blouse 1. I love it and wear it all the time!

 

For the first blouse the fabric was made from a printed stretch silk charmeuse and coordinating white silk habotai collar and tie ends.  I kept the tie exactly as on the pattern, making the ends contrast and the tie the same fabric as the blouse.

For blouse #2,  there were a few revisions to the pattern/construction – namely adding a loop under the collar to hold the neck tie, omitting the bottom band (with added length) and omitting the contrast tie bottom on the neck tie (adding length here again).

Close up view of front neck
Front view of finished blouse

Blouse #3 has to be my favorite so far.  It’s a departure from the other two but was easy to create using the same pattern. I sketched it after watching Series 2 episode 3 (Dead Man’s Chest) and decided to modify this pattern to get the look.  This version was made in a printed paisley cotton lawn and the flat piping was made from white seersucker scraps that I had floating around as well as white covered buttons (joining sleeve ends) that were also floating around in my stash. On a related side note, there was some great conversation about Miss Fisher’s blouses in The Miss Fisher Philes podcast , when they discuss this episode (Series 2 episode 3 (Dead Man’s Chest)), making reference to Miss Fisher wearing more separates than dresses.

If you would like to read more about how exactly I revised the pattern to create each of these looks, visit my blog post here.

See more of my projects and vintage inspiration on my blog or connect with me on instagram!

Thanks and Happy Sewing!

Jennifer Serr

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1930s | Buttons | Dresses | Vintage Sewing

Late 1930s Button Detail Dress with Tulip Print

By on June 23, 2017

1930s tulip print dress

Sometimes you buy a sewing pattern just for the details and this was definitely the case here. The pattern I used for this late 1930s dress was an original 1940s one that I bought from Til the Sun Goes Down. It had the most beautiful shoulder yoke section, which you only ever seem to see on late 30s/early 40s patterns, and I knew I needed a dress with this as a feature. The skirt part of the pattern wasn’t really what I wanted, mainly because it looked very 1940s and I wanted a late 1930s style as this is the era I tend to wear the most.

The beautiful abstract tulip print fabric that I used was a vintage fabric, which feels like a soft cotton but behaves like a crepe or rayon. It was a dream to work with and, along with all the era-accurate techniques I used, helped to create a truly authentic look. In fact, someone I met whilst wearing this dress actually thought it was genuine vintage!

The 22 buttons that feature on the dress were all beautifully covered by the company I use a lot, London Button Company. I asked them to specifically use the coloured parts of the pattern, rather than the black background, to make them really pop out. The matching belt features an original 1930s Art Deco buckle in a bright yellow and I love how it really stands out against the dress.

1930s dress shoulder yoke detail

1930s dress button back closure

1930s dress waist detail

More photos and details about the techniques I used, and how I made the matching hat, can be found on my blog »

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1920s | 1930s | Downton Abbey Inspired | Dresses | Pattern Drafting | Vintage Sewing

Sewing a 1920’s Art Deco Evening Gown

By on June 11, 2017
Art Deco Ball - Jennifer Serr
Art Deco Ball - Jennifer Serr
At The Ball

Well, the day (Art Deco Society of California’s) of the  Preservation Ball arrived and I was prepared!  This year’s theme was Death on The Nile (the Agatha Christie Murder Mystery) with a focus on Egyptian Revival of the Art Deco era. I was lucky to be gifted some beautiful fabric, salvaged vintage trims and good luck at Britex for the finishing touches to my gown and headband. Thanks also to Barbara Mooney at Daisy’s, here in Alameda, for lending me the PERFECT necklace and pointing me to some wonderful coordinating earrings (in her shop) that I will treasure for years to come.

Dressed Up with My Handsome Husband
Dressed up with my Handsome Husband

In the end, I’m happy with the final look. My foundation garment worked well on the dress form so that I could drape my gown to my measurements, however, did not work under the dress when I was wearing it.  It still needs some modifications to the cups and the straps showed. Fitting can be a challenge sometimes and often requires multiple fittings (which I did not do this time – ugh).  I ended up wearing a 1920’s-style corset that I made two years ago.  It’s strapless and gave me the right silhouette.

Front View of my Dress
Back View of My Dress
Back View of My Dress

Below are some photos of the process by which I created this dress – Draping the fabric directly on the dress form.  For a more in-depth view of my process including inspiration, sketches and step-by-step photos, visit my blog posts here, here, here & here

Taping the Dress form and foundation for Draping
Taping the Dress form and foundation for Draping
Draping the Back Bodice
Draping the Back Bodice
Draping the Side Bodice
Draping the Side Bodice
Fabric Draped and trims placed
Fabric Draped and trims placed

See more of my projects and vintage inspiration on my blog or connect with me on instagram!

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1920s | 1930s | Mail Order Patterns | Pattern Drafting | Skirts

Creating a Skirt from a 1930’s Dress Pattern

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My Finished Skirt
Vintage Pattern Lending Library Pattern #T3221
Vintage Pattern Lending Library Pattern #T3221

Recently, I’ve given myself the task of creating a “Miss Fisher” wardrobe, inspired by the Australian TV series Miss Fisher’s Murder Mysteries.  If you haven’t seen the show, I highly recommend to head over to Netflix and watch immediately.  The main character, Phryne Fisher – Lady Detective,  has a fairly AMAZING wardrobe, circa 1928,  filled with a variety of wardrobe staples – wide leg trousers, skirts, matching camisoles etc., and some downright outrageous statement pieces – embroidered coats, custom cloches and coordinating accessories.   All of which I’ve been sketching and analyzing as much as I can with repeated viewing of all the episodes.

The first stop on this journey is the staple pieces.  These are garments I can coordinate with many things.  With Summer approaching, a light weight skirt is was in order.  After struggling to find a skirt pattern I liked, I found a dress that had a great skirt –  Vintage Pattern Lending Library Pattern #T3221.

The pattern is quite sweet – a column shape through the body, with 6 small darts that gently shape the waist, and a skirt that has arched seams along the hip line and fluted panels that give it a nice little fare at the hem.  The pattern comes in one size – created for a 36″ bust.  I measured the pattern and found that it was a good fit for my hips at 42″ but that I would need to shape the waist to fit my own.   It was a fairly easy process:

  1. The pattern was cut at the natural waist line which is indicated at the center of the darts on the pattern. I squared a line at the CF, folded out the darts and shaped a nice waist.
  2. The darts were re-distributed into two darts (each side) at front and back and positioned somewhat centrally on each half of the skirt at front and back as well.  I new I wanted a 32″ waist finished, so my dart depth was determined by measuring the pattern at the waistline, subtracting the different and dividing the darts up accordingly.
  3. Then a waistband pattern was made – 4″ high x 34″ long.  This accounts for 3/8″ seam allowance and a 1 1/4″ tab for the button on the waistband.

The fabric used was a beige colored textured rayon jacquard.  The skirt sewed together beautifully, as per the pattern instructions.  I did serge the edges before assembling, to prevent fraying.  The bottom edge is a simple turn and turn 1/4″ clean finish hem.  And the standard zipper was inserted using a hand picked method.

Hand Picked zipper on the side opening
Hand Picked zipper on the side opening
My Finished Skirt
My finished Skirt

I’m really happy with the results, however, my 13 year old daughter thinks it should be several inches shorter.  What do you think?

See more of my projects and vintage inspiration on my blog or connect with me on instagram!

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1930s

30s Style Vintage Scarf Top with Bias Cut and Vintage Button Trim

By on February 7, 2017
bias cut vintage scarf top

I was thrilled to be contacted by Dressmaker magazine as they wanted to include my scarf top in their January edition in an article about Second Hand Sews.  I was influenced by 1930s scarf clothing when I designed this top and worked out how to cut a scarf (see below) and then stitch it up into a bias top.

cutting diagram for bias top

I have now uploaded a pdf worksheet on my blog with instructions and photos showing how to make the top if you would like to download it.  The link to my own blog is here

Happy sewing everyone!

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1930s | Dresses | Vintage Sewing

1930s Dress Made Using Original Vintage Fabric

By on January 24, 2017

1930s ruffles dress front

Every now and again you come across a truly beautiful piece of original vintage fabric. You carefully unfold it, hoping and praying that it’s in good condition. You check it over thoroughly, measure it and finally take the very brave step of washing it. At this point you’re on tenterhooks, will it fall apart the second the water hits it? It survives the wash, it dries well and then you press it, checking thoroughly once again for any holes, tears or marks. And finally, you realise you have one incredible pristine piece of 1930s/1940s fabric that’s long enough to make an entire dress. You, or indeed me at this point, then do one hell of a happy dance!

1930s ruffles dress

As you can imagine, I was terrified to cut into the fabric, but I truly believed that this fabric had found its way to me for a reason. I’m very much someone who believes in buying vintage and using it. Every piece of vintage clothing I buy gets worn, I don’t store things away in a dark cupboard but, rather, enjoy it as it was meant to be enjoyed. That was how I felt about this fabric. It needed to be made into something and not waste away unloved and unappreciated. And it deserved to be made into something authentic.

1930s dress back

I used an original 1930s sewing pattern and original 1930s sewing techniques from both the pattern and a 1930s dressmaking book. The trimmings, such as the rayon hemming tape, were also vintage. The only modern parts of the dress are the white crepe I used for the yoke section and the metal button blanks for the self-cover buttons. That’s why I call this my brand new almost-vintage dress!

You can see more detail photos and find out more about the fabric, pattern and techniques I used on my blog here.

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