As a pattern cutter and a collector of vintage patterns I’d been curious for quite a while about the Lutterloh pattern system and it’s similar-ish contemporaries, a French system called Eclair-Coupe Paris and The Haslam system, I think from America, but hadn’t had a chance to try any of them out. How exactly did the mini-size patterns grade up to virtually any size/shape figure with the special rulers? Well out of the blue a few months ago I was very generously gifted not one but two Lutterloh pattern books on cd, from 1940 and 1941. That very same week on eBay I won the bidding on an original Summer 1949 supplement being sold from France. Spoiled for choice much? I printed a few favourites out, did a draw from a hat and this mock wrap from 1949 was the winner on which I finally got to try Lutterloh out.
How did my try at Lutterloh go? Well, drawing the pattern out was dead easy like the advertising says. But-and this is a
BIG, HUGE but: there are no seam allowances included on the patterns, no real indication of grain placement, and no facings or lining pieces. Also there are absolutely no sewing instructions or finishing suggestions, no hints of what to interface, line or even where to put openings to get the garment on and off. So, basically, if you don’t already know how to work all of that out or don’t relish the challenge of learning and experimenting you might get a little stuck. However if it does appeal arming yourself with a good sewing book will certainly help.
How accurate was the pattern once drawn out? Actually not too bad at all. The sleeves needed no alterations other than shortening to suit me and the skirt just a little adjusting to hang well. I did add a good amount more fullness into it than the pattern had though. The bodice needed the most alteration as the shoulder height and pitch were just wrong on me, the armhole needed moving in an inch and the bust dart was in a bad place; I finally just took one of my own basic bodice blocks and made a similar pattern with it, knowing then that all elements would fit me. I’m not at all sure if the bodice problems were due to me being a bit careless with how I marked my initial pattern points or what. I’ll have a better idea when I tackle a second style.
I made a muslin mock up first which as well as highlighting fit issues was a huge help in deciding how to finish edges and where to locate the zip. I opted for one in the left side seam instead of a centre back one, and made the left side under-wrap pass through a slot formed by leaving a part of the right dart open…rather than the usual side seam opening, which I thought was a clever way to do it. The neck edges are finished with a narrow self bias binding. The three extended sleeve darts definitely needed some support so some very stiff Vilene cut in crescent shapes then sewed into the armhole did the trick. The belt ends just close in the back with hooks and bars.
All in all an interesting experiment and I will definitely try another. This pattern from 1941 is the next I plan on making:
While Lutterloh Co. is still a very active company producing contemporary pattern styles they aren’t interested in reproducing the vintage books. Google ‘Lutterloh patterns’ for all kinds of further info on the system. The Haslam Pattern System books from the 20s-40s are available as reprinted books I believe and Eclair-Coupe Paris reproductions on cds can be found on ebay for those who are curious to try one of these systems out for themselves. They are a good way to access vintage patterns that are different than the Butterick, Simplicity etc ones seen around… or to use just for inspiration and are a great reference for costumiers as well.
This Butterick pattern from 1960 has been floating around my workroom patiently waiting it’s turn and when a couple of meters of this Makower cotton came my way it was a perfect match. Even have a glass necklace I bought in Venice years ago to follow through on the oranges theme… just need some sunshine and warm weather now.
About the pattern:
Fit- The 34″ bust easily fitted my 35 1/2″ bust. The bodice needed to be shortened a good 1″ through the waist as I have a rather short waist measurement, which happily also made the waist the 2″ bigger I needed.The shoulders sit very wide which I like, but the front and back necklines both gaped a bit. There is a centre back seam so the back was easily fixed. I could take a little tuck under each bow to fix the front but its not dreadful gapping so will probably leave it alone. It is easily fixed on the pattern for making another time. I also shortened the skirt pattern about 2″ to finish at 26 1/2″.
Style- The skirt is 92″ around the hem, I love a full skirt! However I don’t really like when vintage styles are left looking limp without a petticoat but at the same time often feel wearing a petticoat is too much… so I compromised by sewing a 2″ wide band of crinoline in the hem turning. That does help keep a nice skirt shape but wasn’t quite enough as the hips needed a bit of ‘oomph’ too. My theory is it makes my waist look smaller so I made a very simple petticoat from some stiffened cotton mull. It’s not very nice looking and is scratchy as well so I’m going to redo it in some organza instead. It is just an A-line shape with tight gathering only at the sides to hold the dress out just in that area. The pattern illustration is of course a little idealised. The main differences are that the neckline is really more of a bateau neck and sits almost above my collarbone rather than in the shallow curve pictured. Also the neckline notches, by the bows, which are a nice detail, sit quite high, nearer the shoulders than as sketched and could do with being lowered. These are alterations I will make for using it again. I’ll probably add side seam pockets in the next full skirt version too.
Will I make it again- Yes. Both in the full skirt style and in the jacket and narrow dress version too as that is the real reason I bought this pattern. Now I know exactly what to do to the pattern to make the fit perfect next time though for the jacket I will do a quick toile first because I really want the collar to be just as pictured in the illustration and I suspect the pattern will need some tweaking and a good interfacing to achieve the look.
I just loved the bird ornament on this pattern from Mrs. Depew the moment I saw it. So I bought a copy and made myself one.
The pdf contains instructions for drawing out the hat and bird patterns and describes how to do the other variations pictured. Sewing instructions are minimalist to say the least. But drawing the pattern is simple and it’s easy to sew. An unlined felt one would be perfect to start with if you were unsure and needed a practise hat.
Anyway I made this to complete a tailored suit which uses the same suede as a trim, but no pictures of me in that ensemble yet as I still have an extra Christmas inch on my waist and the pencil skirt was already tight to start with. As soon as I can button the waistband again I will post about my making of that as it’s a copy of a late 40′s suit and I’m quite pleased with how it turned out.
But back to the hat- I made this one out of suede and lined it. The bird wings are two layers of suede fused (bondaweb) together to keep them from flopping. Next time I’ll probably do the same on the tail but it depends on how firm the material is. The two pattern changes I made were to enlarge the head opening and make the birds body a tiny bit shorter… but possibly my initial measurements for that were a little off in the first place. Stitching the edges gave it a more finished look I thought.
How long to make? With drawing the pattern and messing about with my sewing machine to get it sewing suede nicely about 4-5 hours. I expect further hats to take much less time.
Will I make it again? Definitely. Plans for red velvet, black felt….